Wednesday, June 23, 2010

On Racism in the Corporate Lunchroom

I had one of those experiences a couple of days ago. One of those experiences that is the reason I usually hide in my cubicle during lunch: racism in the lunchroom. Oh, it all starts so innocently enough. You work at a majority white corporation that makes school materials that aren't exactly harmless, but on the spectrum from the manufacturing of kitten beds to weaponizing lethal diseases, you would definitely say this company is on the "kitten bed" end of the spectrum. And besides, you think to yourself, you're just a temp anyway. You aren't exactly culpable for any of the crap that goes on here.

So you go down to lunch to eat with all the other white temps in your white washed building except for the Bilingual department where are the Spanish speakers dwell (I kid you the fuck not) and everyone is talking about innocent things. Stuff white people like. The Royal Tenenbaums comes up in conversation. Then the next thing the girl next to you who works in Science is talking about how hilarious it is that when she worked at Chuck E. Cheeze, all of the "gangstas" used to come in wearing hot pink jumpsuits and putting on their chapstick. "You're not scary," she says defiantly, following her speech with, "Don't you guys remember when they were all wearing pink? It was so funny, I wish they still were." Then this other girl, a girl you don't like very much anyway because she made you miss the train once, she decides that she needs to mention that she loves it when "they" "swagger." She then describes a man's swagger that she saw the other day on the street. (And this girl once asked me what it was like to go to a liberal school because her parents are so conservative).

The point of this story is: post-racial society my ass, the only words missing from this conversation are "Black people" and/or "Negroes." This conversation hit me viscerally in many ways because these people do not know who I am. The only thing they know is my name, the fact that I'm also a temp for this corporation, and that I'm white. Without knowing a shred about my personal life or my politics, they assume that they are in safe company .

There is this blogger, Harriet Jacobs. Maybe I've mentioned her before. She runs a pretty kickass blog called Fugitivus (click here to get to it) where she has taken on these issues before. I would feel remiss in addressing any of my experience here without quoting her and her wondrous blog capabilities because often she can say what I cannot. I thought of this excerpt when I was in this situation:

"This is what comes of being the “right” race in a racist society. You are an assumed depository for vile, racist conversations and opinions, and your assumed compatriots operate under the belief that this is not damaging, enraging, difficult, isolating, or painful to hear. I do not feel like an overtly radical person. On the spectrum of anti-racism, I consider myself a tick to the left of moderate. But even that perception is radical, because to get there, I’ve had to move my liberal white friends a whole football field to the right of moderate, into “I’m not racist racist, but I am better, smarter, and more rational than the hypothetical dark masses that exist in my brain” territory." (taken from this post)

What I find so noteworthy about my experience in the lunchroom is that I am complicit in racist statements because I cannot argue with them. It's my job and I make it a point not to talk about my politics, social or otherwise. The best I could do was judge them furiously in my brain; these judgments have been sticking around for several days. Ultimately, what bothers me is that these assumptions are so monolithic: all black people do this and all white people are just waiting to have their moment behind black people's backs. (The "isn't it fun to talk like this" moment). I am not interested in participating in these kinds of discussions with strangers. I don't care what color my skin is: my perceived whiteness should not be an excuse to say racist bullshit around me. Not only do I not want to hear what hateful things are dwelling in other white people's brains, I don't want to be part of that whole post-racial, color-blind system that uses vaguer pronouns to say the same things that white people said 50 years ago.

So yeah, I'm pissed about this still. I know that being a white person who is angry that a bunch of other white people assumed stuff about her because she was white really is a drop in the ocean of systematic racism and that my complaints seem meager. But I can't let this experience slide completely unopposed, even if all I managed was a measly blog post.

Excerpt from Shapely Prose

"And then I started thinking about what it was really like before I’d actually made peace with my body. And what it was really like was this: The Fantasy of Being Thin absolutely dominated my life — even after I’d gotten thin once, found myself just as depressive and scattered and frustrated as always, and then gained all the weight back because, you know, diets don’t work. The reality of being thin didn’t even sink in after all that, because The Fantasy of Being Thin was still far more familiar to me, still what I knew best. I’d spent years and years nurturing that fantasy, and only a couple years as an actual thin person. Reality didn’t have a chance."

Read the rest here

Tuesday, June 22, 2010

Hey Arnold: nostalgia and nicktoons

Recently my roommate and I discovered that Netflix Instant Watch has a lot of old nicktoons available. I started off obsessively watching Hey Arnold, my favorite of old Nickelodeon cartoons to this day. Then I realized: I know what is wrong with this country. I know what is wrong with the oversexualization of little girls! I know why the celebrity industrial complex is so damn irritating! I even know why Jamie Lynn Spears is pregnant! It's because Nickelodeon dropped nicktoons like "Hey Arnold," "Angry Beaver," and "Aaah! Real Monsters." Spongebob remains, but even the Rugrats ended up as tweens.

Hopefully I'll be back to post about other nicktoons that I've watched, but today I'll deal with Hey Arnold exclusively. It's a show that's beautiful in its simplicity: it's about a bunch of kids who attend a public school in New York. They live in Brooklyn and they represent a wide range of socioeconomic statuses, ethnic backgrounds, attitudes, and dress styles. (For the longest time I thought Arnold was wearing a kilt, although now I realize it's a plaid shirt under a sweater). The main character, Arnold, is an orphan living in a boarding house with his grandparents. He is incredibly even-tempered, he understands human motivation, he is kind and big-hearted, and yet he is still a kid who likes popsicles and baseball.

What is so great about the show is its diversity. The characters in the show are not carbon copied young adults who go about their gossipy lives; they include serious character motivations (Mr. Hyunh, one of the boarders, came to New York to look for his daughter, who he gave up for adoption during the Vietnam war). The main female character, Helga, may have a crush on Arnold, but she is no wilting flower. For every moment she spends pining after her Beloved, the next she spends punching that guy who is always wheezing in the nose.

The episode that really convinced me of Hey Arnold's greatness, however, does not heavily feature Arnold. Instead it is an episode about Helga, in which she is not invited to a girls-only sleepover for the girls in her class. Everybody spends most of the episode making fun of Helga for not being girly enough, until she gives in, gets a Fifteen magazine, and gives herself a hilarious makeover.


(Those boobs are totally made of tissue paper, btw). At the end of the episode, she goes to the slumber party, tries to fake her way through girliness, and then loses it when she sees the girls with green mud masks on. Mid-rant, she pulls her hair back into her signature pigtails and wipes off all of her makeup while asking "who wants to do this? Why do we even have to do this?" The girls say "but this is what girls do, Helga" and she says "Bully. Just because this is what girls do doesn't mean they have to do it." At this moment the girls discover that the boys are spying on them and they capture Harold, an oafish dude, and put makeup on him. It's a moment of pure cartoon perfection. The point of the episode is that you can be whoever you want to be, and do whatever you want to do, regardless of gender, but it's not overstated. Helga may give a speech but it's a speech in line with her bitchy, bossy character. This cartoon is remarkably subtle for a kid's show and that is one of the most important parts of its genius.

Two points for the last part of this post: the characters wear really iconic cartoon clothing that I discovered has been transformed into outfits via Polyvore, below:




Dressing like Helga is my new aspiration in life.

Secondly, Hey Arnold uses so many tropes that it can easily be turned into a drinking game (one in which my roommate and I have indulged multiple times). I thought I would provide a list of them here for you intrepid Nicktoon fans.

Hey Arnold Drinking Game

Drink when...

1) The cats/dogs/pigs run in or out of the boarding house.
2) Helga calls Arnold a football head
3) Helga goes on a loveydovey rant about Arnold/Punches Weezy in the face (since these usually are paired, you can decide whether to drink twice)
4) Arnold's grandmother acts crazy
5) Phoebe says something nerdy
6) They make a joke about Harold's eating habits/size
7) Arnold and Gerald do their special thumbshake
8) Grandpa talks about going to the toilet or is seen going to and coming from the toilet.
9) Someone says Hey Arnold!
10) The polish man is fighting with his wife or is inconsiderate (there is a whole episode about this so you have to watch out on this one).

I'm open to any additions to the Hey Arnold drinking game in the comments.

Monday, June 21, 2010

Best of the 2010 World Cup Commercials

My parents were in town last weekend and they gave me World Cup Fever. When we weren't sitting at bars watching the games in High-Def, we were sitting around, watching youtube videos of old miraculous goals and World Cup commercials. Of the commercials they showed me, I decided to compile the ones I thought were best.

World Cup 2010 Bitchin' advertising campaigns:

Best overall advertisement: PUMA: Journey of Football. This commercial has heart; you'll laugh, you'll cry. Also, points for the best song and imagery pairing, like, ever.


Best joking use of historical rivalries: MTN: Two World Wars and One World Cup.
Nothing like reducing all of the world's history to a soccer joke. Did you guys get the memo? England won the world...twice!!! Sarcasm aside, this is pretty clever.


Best obligatory advertisement with famous sponsored players in a match together: Pepsi
Points lost for the fact that Kaka looks like a huge doofus in this commercial with his Dumb and Dumber hair. However, he's a total hottie in real life*


Best comedic advertisement: Nike: Write the Future
Things I have to say about this commercial: Rooney's beard when he's in the trailer park is hysterical; they routinely cut out the Gabriel Garcia Bernal part in the shortened version but it always gets me; Ronal*d'oh* is a pure stroke of genius; who the heck does Nike's ad campaigns? They really must be raking it in.

I also feel I should put an epilepsy warning on this one.


Best tearjerker commercial: Bravia
The first time I watched this commercial I burst into tears the minute the kids walked into the stadium.



* This is what Kaka REALLY looks like:

Friday, June 11, 2010

Wednesday, June 9, 2010

One hundredth post!!!

We are quickly approaching the one year anniversary of S and K (June 18) and what better way to prepare than to celebrate my ONE HUNDREDTH POST!!

Obviously it seems a bit arbitrary to celebrate 100 posts since some of my posts are just links to music videos or what have you, but I am proud to say that I made it through this year intact, and as a slightly more happy person than when I first wrote the introduction to the blog (which you can view here). I'm happy to see that S and K managed to make it through its first year of existence. I also will say that I know I can never compare to FourFour, but one day I hope to be celebrating 5 years of this blog (read Rich's five year celebration post here).

Since this is only the 100th post, which isn't necessarily that many posts in the long run, I will celebrate by posting a top-five of sorts. Basically, the posts I'm listing are ones of which I am particularly proud.


A lot has changed in my life since I started the blog. I moved from North Carolina to Chicago. I stopped laying around in a depressed state on my parent's couch and started living my life again. I've worked a bunch of temp jobs and met some new people. I can't wait to be celebrating the 200th post soon.

Tuesday, June 8, 2010

it's here it's here it's here it's here

It's that time again. Gaga's got a new video out. Some people will say it's repetitive, some will say she's a knock-off of Madonna, but I'm just hyped to read all of the fallout.

Tiger Beatdown on Lynn Hirschberg's piece on MIA

"Because no-one, in the wake of this piece, is talking about the Tamils. No-one’s talking about Sri Lanka. No-one’s talking about M.I.A.’s most provocative belief, the one that’s really threatening: The idea that violent oppression can and should be met with violent resistance, which is a complicated and scary proposition, one that people have been evaluating and fighting over for a long-ass time, one that we’re nowhere near figuring out as yet. No-one is talking about that; no-one, to be blunt, really cares. What we’re talking about, instead, is a plate of fucking fries."

Read the rest of the piece here

Thursday, June 3, 2010

What was the best concert you ever went to?

I was messing around in my formspring account and the system asked me this question. At first I was going to answer it in terse earnestness, but then I realized I had a lot to say. So much to say, in fact, that I thought I would jump start my writing for the month of June by answering the question.

Sometimes I think that the halcyon days of my concert attendance are over. Not to say I don't attend concerts or still enjoy them; rather, in high school (when I went to the highest rates of concerts per month) going to a concert was a soul-defining exercise. By going to see the Arcade Fire with my friends, I felt like I was confirming that I was some hip young chick, something so far outside of my conservative Southern high school (I will still swear on a Bible that our de facto class song was "Sweet Home Alabama.") At the time I thought that every band my brother made me listen to, or every time I joined in conversations that involved Pitchfork's rating system, I was being so incredibly unique that I deserved a star.

Ok, seriously, I had problems. Regardless of that, eventually Urban Outfitters invaded our national consciousness and started playing Karen O while a bunch of teeny boppers bought t-shirts that said things like "I don't eat ham because I'm a vegetarian so FUCK OFF MOM AND DAD" and then I discovered that whatever music I liked wasn't really going to define who I was anymore. Everyone loves music and it's fun to be able to share that with people, so hiding in a corner with a list of "indier than thou" bands feeling superior was no longer going to work for me.

But the world doesn't really need another blog post in which someone expostulates "The Shins were sooo cool before Garden State made them all famous and stuff" so I'll move on. All I'm trying to do is make the point that concerts meant a lot more to me back then, when I was even more of a moldable human being searching for some reason to feel like the world was rocking. This fact alone would affect my top five list of concerts.

Then I was talking to a friend today about how I was writing this blog post and she said "so much of my concert experience is my mood, the comfort of the venue, and the number of songs they play that I really know."

And isn't that the truth? You go to a concert and you're stuck in your head the entire time because it's too loud to talk. Hopefully what's going on during the show is entertaining the music is so good you're totally swept up into it. But 90% of the time I spend concerts thinking about how I really fucking wish I was in a band and how much I having a desk job.

So, without further ado, I'm going to put up a list of top five concerts that I've attended. I don't really know if they legitimately are the best concerts, but they are ones I've been feeling in my memory:

5) Miike Snow
Venue: the Metro, Chicago
My roommate and I went to see Miike Snow on a lark a couple of months back, and the show surprised me in many ways. I didn't like the Metro is a venue that much, but these crazy Swedes came out in matching plain white masks and played with an extreme intensity that was infectious. I'd only heard one song by the group but they managed to hook me for the entire concert, which is quite a feat. Their sound was loud and powerful and their look was eerie.

4) Patrick Wolf
Venue: The Cat's Cradle, Carrboro, NC
I went to see Patrick Wolf with Radonwolf last summer. It was part of a Nylon magazine tour which in and of itself is kind of embarrassing. However, I've loved Wolf for a few years now and because it was part of a strange promotional tour there was absolutely no one there. I think there might have been 75 people in a venue that could hold up to 300, and I was right at the stage. Beforehand, Wolf walked by me and said "hey" and I nearly crapped my pants. He makes me wish I was a gay man. During the show, he stopped in the middle of the set to give a eulogy for Michael Jackson who had died days earlier. He then sang an a cappella version of Joni Mitchell's song "Michael." I hate a cappella as a rule, but it was still a nice gesture. He spent most of his banter between songs telling us how amazing the slow life in North Carolina was, and how he could have been at this Glastonbury Festival in England but had chosen to experience the USA instead. To top off the set he put on a grey leather jacket that had bird wing-type epaulets. I should have stayed to get a photo with him. He's also very tall.

I think the weirdest part of the entire show was that there was a very drunk man in attendance with his girlfriend who kept turning to us and saying "THIS IS MY FIRST GAY CONCERT." He also got in a weird back and forth with Wolf at one point about his sexuality that was uncomfortable, but who doesn't like a good asshole story about a concert? As my brother likes to say, the perfect dinner experience should always include one thing to complain about.

3) Gogol Bordello
Venue: McCarren Pool, Brooklyn
Everybody who's seen Gogol Bordello raves about how good their live show is, and I'm no exception. I spent a lot of the show wasting cash on 6 dollar cups of beer. The lead singer has a baller mustache and there are dancers. I think the reason I liked this show so much is that standing around in an empty pool with a bunch of Williamsburg hipsters was fucking surreal and AWESOME. Afterwards we got pizza.

2) The Arcade Fire
Venue: The Cat's Cradle, Carrboro, NC
These top two shows are from high school, and they both hold very dear places in my heart. Particularly because they were at my favorite venue of all time, The Cat's Cradle. I saw the Arcade Fire with a dear high school friend I referenced above, and it was during their funeral tour. I knew every song. Final Fantasy played beforehand and I enjoyed watching him create loops and building his songs--doing a one-man show must be rough. The best part of the show was that they created a funeral procession through the crowd: all of them holding various instruments, sweating their asses off, and beating drums, they walked through all of us and I got to touch the guy who looks like an adult Ron Weasley.

1) Franz Ferdinand
Venue: The Cat's Cradle, Carrboro, NC
This show will always have a one-up on my other concert experiences because it sold out before I had a chance to get tickets. My cousin and I decided to make a last-ditch effort to see them by standing around outside of the venue and hoping that someone would need to sell of their tickets. I finagled a ticket somehow, but then it seemed like Sam would never get one. We waited around through both of the opening bands before a guy who had won the tickets in a radio contest came up and sold his ticket to Sam. We walked in just as Franz Ferdinand came on stage. At that point in time, Franz Ferdinand's sound was so fresh and new and fun that every second of the show was undiluted positive energy. Also, the lead guitarist dances in a very particular and funny way that is best illustrated by the video for "Take Me Out."

Wednesday, June 2, 2010

 
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